Maya Ben David ✿✿✿

cybertwee HQ virtual artist talk series

Wednesday, June 15, 2016
9PM CT
tinychat.com/cybertwee

♡♡ cybertwee ♡♡ is excited to announce our fourth virtual artist talk, this time welcoming Maya Ben David to the “stage” !~*

In this cybertwee HQ virtual artist-talk series, we are super stoked to have the artists in the <<.:*cybertwee HQ*:.>> give us the behind-the-scenes scoop on their artwork in the show, & tell us about their influences, process, and how their work intersects with #cybertwee!

✧・゚: *✧・゚:* *:・゚✧*:・゚✧ .・゜゜・ ・゜゜・. 。

Maya Ben David (MBD) will present an artist talk about her video/performance-based practice. She will be focusing on the role of the “grotesque woman” in cartoons and cartoon-like objects and how these representations contribute to ideas of violence against women. She will be examining both physical objects such as the “rubber chicken” as well as animated cartoons. Much of the focus will be on the Pokémon franchise because of its vast use of anthropomorphism and because of Ben David’s personal connection to it. Ben David will go into detail about how gender, femininity and race is constructed in the Pokémon universe.

MBD is a Toronto-based video and performance artist. Through video she draws attention to moments in animation, film and popular culture that explore simulations of the “real” and sentience through appropriated and nostalgic media. Ben David’s practice often explores online fan communities that involve anthropomorphized/sexualized fictional characters. Ben David is able to gender-bend and give new narratives to well known cartoon characters by making her own Fan Art and Cosplay in her digital work.

The examination of anthropomorphism plays a large role in Ben David’s practice. Anthropomorphism is when you attribute human like characteristics to objects or animals. Often the way animals and objects are personified reinforces already preexisting hetero normative values of gender, sexuality and race. The rendering of anthropomorphized and personified animals is not coincidental or random. Very often certain species of animals are attributed to a gender based on pre-conceived ideas of femininity/masculinity. For example; personified cats are often rendered as women and dogs as men. This systematically casts women as animals of prey and men as predators.

Ben David works to deconstruct these signifiers that are so prominent in cartoons in an affectionate way through cosplaying and making “fan art”, always carefully considering how she is dealing with animated women’s bodies. This allows her to stand in solidarity with these characters that are so often mistreated and poorly represented.

Evan Fusco ✿✿✿

~*cybertwee HQ virtual artist talk series

Wednesday, June 15, 2016
9PM CT
tinychat.com/cybertwee

♡♡ cybertwee ♡♡ is excited to announce our third virtual artist talk, this time welcoming Evan Fusco to the “stage” !~*

In this cybertwee HQ virtual artist-talk series, we are super stoked to have the artists in the <<.:*cybertwee HQ*:.>> give us the behind-the-scenes scoop on their artwork in the show, & tell us about their influences, process, and how their work intersects with #cybertwee, all using tinychat and#WebRTC for screensharing!

✧・゚: *✧・゚:* *:・゚✧*:・゚✧ .・゜゜・ ・゜゜・. 。

looking at Evan Fusco’s work (http://cargocollective.com/evanfusco) has a kind of Xerox effect. photographs of photographs, prints of prints, shifting layers of simulacrum like overlain gauze lend a gaussian blur to the edges of his images and texts. it’s clear that Fusco touts the validity of the duplicate and the copy.

Fusco’s investigation of the presentation of self in the realm of hyper-real web 2.0 functions as a bird’s eye guide to navigating social media platforms for alien visitors or salted veterans. via fan art, deconstruction, and recontextilization, he looks towards how marginalized identities can be reformed online.

his irl embodiment has shown work in numerous Cleveland venues, including the collection of the Cleveland Museum of Art.

he currently has a call for art in reply to the prompt of tenderness.
link: https://www.facebook.com/events/646658855497458/

the images in the cybertwee headquarters are taken from his book “i just wanna say all dogs go to heaven,” which you can read and support here:http://www.blurb.com/b/6425242-i-just-wanna-say-all-dogs-go-to-heaven

 

read Evan’s thesis here!

Ragna Rök Jóns ✿✿✿

~*cybertwee HQ virtual artist talk series

Wednesday, June 8, 2016
9PM CT
tinychat.com/cybertwee

disvisibility (n.): “away,” “apart,” or “asunder” visibility; a visibility bound to an object or body that can be redistributed so as to disappear.

♡♡ cybertwee ♡♡ is excited to announce our second virtual artist talk, this time welcoming Ragna Rök Jóns to the “stage” !~*

In this <<.:*cybertwee HQ*:.>> virtual artist-talk series, we are super stoked to have the artists in the <<.:*cybertwee HQ*:.>> give us the behind-the-scenes scoop on their artwork in the show, & tell us about their influences, process, and how their work intersects with #cybertwee, all using tinychat and#WebRTC for screensharing!

✧・゚: *✧・゚:* *:・゚✧*:・゚✧ .・゜゜・ ・゜゜・. 。

Ragna Rök Jóns is a writer / artist / performer who’s geographic location is almost as ephemeral as her work itself. She uses the tools of new media to explore what she has coined as The New Transfeminisms (working in the shadows of Andrea Crespo, Juliana Huxtable, and other trans new media artists-thinkers), and to shed (LED) light on newfound reformulations of visibilty, violence, trauma, and transfeminisms in the 21st century.

// Ragna Rök Jóns is trying to break up with an algorithm that won’t leave her alone, unlike any stalker that has come before her time. At the intersections of transfeminist criticism and new media praxis, rök develops new technical and conceptual ways to become “disvisible” in a time when invisibility is unattainable as modernity loses grip on the globalizing mechanisms of digital capital. She will perform trial #17 of disvisibilities’ centerpiece _multiscreens_ for this talk, discussing how to stay safe as a marginal femme in between IRL and online spaces. Promise you won’t tell him where she’ll be next week? //

Via Periscope, Tinychat, and other outlets. ♥

http://ragnajons.tumblr.com/
https://twitter.com/ragna__rok

Jasmine Nyende ✿✿✿ ~*cybertwee HQ virtual artist talk series

June 1, 2016

♡♡ cybertwee ♡♡ is thrilled to announce our second virtual event, and *first* virtual artist talk!~* in this cybertwee HQ virtual artist-talk series, we are super stoked to have the bb artists in the <<.:*cybertwee HQ*:.>> give us the behind-the-scenes scoop on their artwork in the show, & tell us about their influences, process, and how their work intersects with #cybertwee, all using tinychat and #WebRTC for screensharing!

✿✿✿✿✿✿✿✿

Jasmine Nyende is a new-media artist working in Los Angeles, California. her art is concerned with the construction / deconstruction of femme identities & stereotypes in popular culture and the place of the black femme body in art. through code poetry, animated GIFs, video, performance, and her ukelele, she explores her gURL relationship to social media and consumer technologies.

in this ♡♡ cybertwee ♡♡ artist talk, Jasmine shares her artistic process in creating her video piece for the <<.:*cybertwee HQ*:.>>, entitled “Buoyancy” and her poem “We Can Form This Space Together”, in which she shares and extends the spaces where she feels most vulnerable to encourage critical reflection about established power structures. She will also share #cybertwee poetry from their most recent collaboration for a fashion collection by Pierre Davis, in which Davis used photos from her iPhone to print on fabric to make a gorgeous fall line entitled “No Sesso”, which means “no gender”.

Jasmine Nyende graduated from Lewis & Clark College in 2015 with a degree in Rhetoric & Media Studies. She runs a KCHUNG Radio and arts publication named Fit Form Function about performance art, social media and ephemeral (e-femme-eral) poetry. She recently performed at Machine Project, the exhibition Lost Wax at As it Stands, and with her folk band ClitB8 at Eternal Telethon Human Resources Los Angeles. She is currently writing an experimental poetry book “Tension: Conditions of Darkness” about colorism and queer identity in popular culture.

“We Can Form This Space Together”
by Jasmine Nyende

Sharing movement, glitches, rhythm, tempo
sharing movement, glitches, rhythm, tempo

Ukuleles are not mini-guitars
Ukuleles are distinct instruments on
their own with an individual sound
and cultural history

Sharing movement, glitches, rhythm, tempo
sharing movement, glitches, rhythm, tempo

over and over again
Am I allowed to breathe?
If there was a side to me that was
always clear, definable

Predictability is likeable like order is
likeable like machines are likeable
like supremacy is likeable
A trend. A look. A space to devise a
new lineage.

Seeing an instrument as a tinier
version of another one erases the
impact of the innovation.

Sharing movement, glitches, rhythm, tempo
sharing movement, glitches, rhythm, tempo

over and over again
lacking blue eyes is a glitch,
lacking pale skin is a glitch,
lacking long hair is a glitch

Sweetness implies a lack of
bitterness,
Bitterness,

How can I prove my lack
Am I allowed into the cult of
sweetness? Into the realm of
serenity, unafraid of proving
‘correctness”

Maybe Sandra would be alive if she
lost her bitterness. Maybe.
By seeing an ukulele as a mini guitar
The sound becomes a glitch to an
established standard.

https://www.instagram.com/standardized_sext/
www.jasminenyende.com